- 1 More of the same: how creative rituals can help you break free from the idea echo chamber ↗
- 2 Why a 53-year-old travel brand is going back to guerrilla print: Lonely Planet on its pocket-sized zine, Artifact ↗
- 3 Melt into Steph Hardy’s soft illustrations of sweet treats and “bad day” snacks ↗
- 4 Most creative work is made to a brief – so is fake art in film actually ‘fake’? ↗
- 5 What makes a branding system sustainable? For Stoëmp, it’s rooting it in something deeper than style ↗
- 6 How can I make my clients take me seriously? ↗
- 7 Hellcare Regular is a typeface that parodies the cryptic chicken-scratch of doctor’s handwriting ↗
- 8 Alexander Coggin challenges the “stock-still” with the ephemerality and quiet sadness of life in NYC ↗
- 9 Harry Grundy’s new works on sandpaper are drawn at 3,000RPM ↗
- 10 Reset is a gaming magazine for the first generation that grew up taking games seriously ↗
- 11 How Alfie Whiteman – pro footballer turned photographer and director – shows the turbulence of change through his vulnerable work ↗
- 12 Think London’s just grey and boring? Rob Flowers’ BBC crime comedy pilot Thames View will change your mind ↗
- 13 4Creative’s new identity uses cut-out visuals from iconic TV shows ↗
- 14 Gary Grimes decodes the angsty cultural references within Romain Gavras’ Yung Lean-starring epic, Storm ↗
- 15 Uncommon’s mouldy identity for Offf Barcelona is grown from biological traces of creatives ↗
- 16 Jake Machen’s charming bubblegum comics transport us back to the anime magazines of yore ↗
- 17 “I don’t want to just observe, I want to participate”: Ollie Babajide Tikare on immersing himself in the cultures he photographs ↗
- 18 Benjamin Tuttle spent years designing for a Brooklyn microcinema – it all led him to Netflix’s Beef ↗
- 19 Samar Maakaroun’s visual identity for The Mosaic Rooms challenges reductive narratives around Arab identities ↗
- 20 Albert Elm captures our world at its most absurd through a photographic autobiography ↗